|
piece
(duration) |
year
|
scoring
|
score
|
audio
|
|
piece for
keyboard and another instrument (31′)
|
|
keyboard
and one other (treble) instrument |
 |
 |
|
piece for
contrabass (23′)
|
|
solo
contrabass |
|
|
|
music for
cello (13′)
|
|
solo
cello |
|
|
|
hevron-deir yassin
(45′-60′)
|
2011 |
open
instrumentation |
|
|
|
I-IV-V-I (25′) |
2011 |
vibraphone,
violin, cello |
|
|
|
dharmachakramudra (7’30″) |
2010 |
vibraphone,
viola, cello |
|
 |
|
piece for (16′) |
2010 |
electronic
organ and bongo drums |
|
|
|
4/4 (22′) |
2010
|
electronic
organ |
|
|
|
four strings
for todd reynolds (25′)
|
2010
|
violin
solo |
|
|
|
quartet for (40′) |
2010
|
piano
solo |
|
|
|
piece for (20′) |
2009
|
any
keyboard |
|
|
|
torture memos
(a survivor from guantánamo) (40′)
|
2009
|
soprano,
mezzo-soprano, flute, bass clarinet, marimba, electric bass, violin, cello, piano |
|
|
|
two rhythmic
spaces (10′)
|
2009
|
two
percussionists |
|
|
|
two
improvisations for synthesizer (for
james combs) (17′)
|
2009
|
synthesizer
|
virtual music 1 virtual music 2 |
|
|
zichron
(in memory
of bisan, maye, aya and nur abu al-aish) (48′)
|
2009
|
saxophone
quartet |
(in C)
(transposed) |
|
|
bs piece
(double canon for bill solomon) (20′)
|
2008
|
six
marimbas (or one marimba + tape) |
(condensed score) (uncondensced score) |
|
|
<10′
(9′) |
2008
|
open
instrumentation |
|
|
|
ushabti
(40′) |
2007-2008
|
violin
and piano |
|
|
|
darfur pogrommen
(47′)
|
2007
|
open
instrumentation |
|
|
|
this piece
intentionally left blank (10′)
|
2006
|
keyboard
(or any group of instruments) |
(open instrumentation version) (realization for flute, violin, cello and piano) |
(original version for keyboard) (Diverse Instrument Ensemble) (version for flute, violin, cello and piano) |
|
for philip
glass (ca.2
hrs) |
2006
|
string
quartet |
|
|
|
for roger
copland (28′)
|
2005
|
alto
flute |
|
|
|
mf
(13′) |
2004
|
string
quartet |
|
|
|
five notes
for christina fong (11′) |
2004
|
string
quartet |
|
|
|
piece #1
for electronic organ (24′) |
2000-2004
|
electronic
organ |
|
|
|
piece #2
for electronic organ (5′) |
1999-2000
|
electronic
organ |
|
|
|
piece #3
for electronic organ (13′) |
2000-2001
|
electronic
organ |
|
|
|
quadratics
(10′) |
2000
|
chorus
|
|
|
|
objects
(11′) |
1999
|
marimba,
piano, electronic organ |
|
(premiere) (synthesized realization) |
|
streams
of consciousness (44′)
|
1997-1998
|
string
orchestra |
|
|
|
brass
piece for arielle victoria (47′) |
1996-1997
|
3
trumpets, 2 bass trombones, tuba |
|
|
|
cantorials
(61′) |
1994-1995
|
string
orchestra + electronic organ |
|
|
|
digitals
(40′) |
1992-1993
|
string
orchestra |
|
|
|
two sets
(36′)
|
1990-1991
|
string
quartet |
|
|
|
vector music
for edward hopper (23′)
|
1988-1989
|
piano
|
|
|
|
textbook: music
of solitary landscapes in hyperspace (piece for IPS) (2h 8′)
|
1984-1987
|
piano
|
|
|
|
improvisational
study no.1 (shingon mándaras) (2h 4′)
|
1981-1982
|
piano
|
|
|
|
ineffabilties
(37′) |
1980-1981
|
piano
|
|
|
|
oblivions
(3′ 30″) |
1979
|
chorus
|
|
|
|
four landscapes
for six instruments (12′)
|
1978-1979
|
flute,
alto sax, horn, trumpet, trombone, contrabass |
|
|
|
seven songs
after poetry of james joyce (18′)
|
1978
|
soprano,
piano |
|
